Feb
11

My corral is empty

By Kelsey

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I’m not famous.

I don’t need a corral for folks to line up in to buy a book and have me sign it. I don’t need blank cards for me to sign in case a student doesn’t want to buy a book, but still wants my autograph.

But when I was speaking at a The Check Your Label Symposium at IU’s Kelley School of Business I had both.

As a kid you dream about the day someone will ask for your autograph.  In preparation you practice.  You recall the Reds player you saw signing baseballs atop the dugout.  His wrist flashed across the baseball and a signature appeared. A looping, swooping, signature that assured the ball would never be hit into the field again, but instead sit atop a dresser next to little league participant awards and prized baseball cards.

I dreamed that I would sign basketballs and basketball cards.

I print a “K.”

I write “elsey” in the cursive I learned in 3rd grade. Unfortunately my writing hasn’t evolved since then.  In 3rd grade I had both myself and my teacher convinced that I wrote cursive better with my leg on the desk.  I think she let me try it because, after all, it couldn’t get any worse.

The “y” tails up to the “T” which I slash on the page with the authority of Zorro.

I gave up on writing “immerman” a long time ago.  It’s much too bumpy and long and there is only so much time allowed to sign an autograph.  You need to make it look like you do this all the time. That you are practiced.  That you will keep the line in the corral moving steadily. So after the “T” I just make a long line.

That’s my autograph.

I hand the once blank card to the student.  It’s a moment that is much different than I imagined as a kid.  It’s embarrassing.

I’m not being humble here.

I sign the card and look at my corral. It’s empty. It’s like Wendy’s after the post-lunch rush.  You make eye contact with the cashier and then you weave your way through the corral feeling silly. And then you order a Frosty.

But there’s no Frosty here. It’s just me and my crappy autograph.

The girl walks away and I’m embarrassed for her and I’m embarrassed that I’m embarassed.  It’s one thing to have me sign a book. I like having signed books regardless of the author’s fame.

I imagine her getting back to her dorm, looking at my pathetic third-grader’s signature and chucking it in the trash.  There, crumpled up next to junk mail and balls of chewing gum, sits my “K” my “elsey” my “T” and the line that represents both my laziness and my “immerman.”

I had a great time at IU.  Despite my inherent lack of fame, everyone there made me feel as if I were famous. I had a blast interacting with the students.  Some of them skipped the IU v. Purdue game to listen to me speak.  Some of them got up at 8AM to have breakfast with me. Don’t worry, I won’t let it go to my head. Each event was accompanied with free food.  And at the main event, besides interacting with more students, I got to meet Kelley and Anne Campbell of The Village Experience, Amy Chin of International Development Collaborative, and, the real rockstar of the Symposium Blake Mycoskie, the founder of TOMs shoes.  It was an honor to share the stage with such passionate and creative people.

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Feb
5

Every reader is my co-author

By Kelsey

This morning I caught author Katherine Paterson on the Bob Edwards Show.  She lived in Japan and talked about the use of white space by Japanese artists.  The artist intends the viewer to fill in the space with their own imagination.

Patterson told Bob that she incorporates this into her writing and said something that really resonated with me…

“Every reader is my co-author.”

I’ve come to appreciate this because a funny thing happens when you write a book…someone reads it (hopefully). And when they read it and then they tell you about it, sometimes you’re left wondering if they read the same book that you wrote.

Awhile back two interviews of me came out on the same day.  One was in Ball State’s newspaper and the other was in a newspaper in Amherst, Ohio. (You might recall that I got pulled over on my trip to Amherst and eventually tried to friend the cop on Facebook. He hasn’t accepted…yet.)

One article painted me as an anti-sweatshop activist and the other as someone who thought that the apparel industry would save the world.

Yes, I explore both sides of the issue, but it seems that the author of each article brought their own baggage to the table and use my exploration of the issues to support their own opinions. (Or perhaps they didn’t read the book at all and I should just shut-up now.)

In a way, I’m honored to get such different takes on the book, but the last thing I want is for someone to have the takeaway be: the worker’s lives are tough, they need these jobs, so I’ll continue to mindlessly buy stuff regardless of the brand or country of origin.

So regardless of where readers fall on the larger debate, I hope to get them caring about the people who make our clothes. My message is simple and I hope it comes through to all. It can be summed up in three words…

GIVE A SHIT!

After that I’m happy to let my co-authors make the book whatever they want to make it.

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Jan
9

I’m a Hero in Sweden

By Kelsey

Annie’s cousin Steph sent me this with the title “Marketing for your next book.” I have no idea what this is, but I’m considering paying Swedish broadcasting fees anyhow.

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Jan
6

I’m Big in Korea

By Kelsey

Korean Where Am I Wearing?

It’s strange not being able to read a book that you’ve written or even your name. But such is the case when I received the Korean translation of “Where Am I Wearing?” in the mail.

A lot of folks have worked on the book, but few have spent as much time with it as this translator. I would love to sit down and have a chat with them to see how they went about translating “fella” and “undercover underwear buyer.”

I suspect Korea was interested in the topic because they had a thriving garment industry in the 1960s which is anything but thriving today.  Need proof? Inventory the clothing labels in your closet.

This is my first translation so it’s definitely worth geeking-out over.  However it’s not the only foreign country where the book can be found.  One of the cool things about Wiley & Sons is that they are a global publishing company. They have offices in Singapore, Tokyo, India, Australia, England, and elsewhere. The offices are staffed with actual Wiley employees.

I’ve received emails from readers in Brazil, New Zealand, Australia, and Japan to name a few places.  It’s an honor to be able to introduce readers around the world to Arifa, Nari, Ai, Dewan, and Zhu Chun.

A lot of times when a book sells to a publisher the author will retain foreign rights. This means that the author’s agent can pitch foreign publishers. If the foreign publisher wants it, then another contract is entered complete with advance and royalties.  Since Wiley is a global publisher they almost always buy “World Rights” as opposed to “North American Rights.”

That means I don’t get a check when my book is published in another country and/or language.  Instead I just receive translations and emails out of the blue, which is a nice consolation.

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Dec
13

The divide between self-perception and reality

By Kelsey

John Mayer makes weird faces while he’s riffing.  When asked about it, he said something like, “I thought I was making a cool face.”

Obviously there is a divide between the mental perception of oneself and reality.  With that said, here are some photos of me taken while speaking at Menlo High School near San Francisco.

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Dec
2

In San Fran slacking….

By Kelsey

So a video clue was supposed to go up today in the Where is Kelsey contest.  But the thing is, today was my only free day in San Francisco and I wanted to take in the sights. And tomorrow I’ll be flying all day.  And…well after that I’m out of excuses, so I’ll get a video clue up on Friday.  To make it up to you, I’ll have Harper – the world’s cutest baby – make a guest appearance.

Deal?

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Nov
30

Writing Turns Me On

By Kelsey

“I made a deal with my muse. I leave her alone and she leaves me alone.”

-       poet and author Wendell Berry on the Diane Rehm Show today

Writing turns me on.

No, not like that you perve.  Okay, maybe I should restate that.

I have a writing switch that I turn On and Off.  When it’s on I search for narrative threads. I scan for details.  I probe. When it’s off I just kind of fumble through life a victim of my scattered brain.  It would be great if I could just leave the switch on and suck all the meaning I could out of a trip to the grocery, but that would be exhausting.

I would lean over the food conveyor thingy and stretch to see the checkout lady’s shoes.  You can tell a lot from shoes.  I would ask the bag boy what exactly his thought process was behind the Tattoo that reads “Serial Killer” on his forearm. I wound engage the bag boy: “Is this your way to tell people that you aren’t a serial killer?  After all, no self-respecting serial killer would advertise it to the world.  Or is this some type of double reverse logic psych out that ends with you stuffing unsuspecting patrons into their trunks?”

When I’m ON I constantly engage my environment.  I go into social butterfly mode.  And there’s only so much of that that I can take.  Heck, there’s only so much of that the world can take.

I think that’s what Berry meant.

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Nov
24

On Monmouth College TV aka “The Big Time”

By Kelsey

Thanks to Monmouth College TV for sending me this bit on my recent visit.

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Nov
16

Truth & Books: Why you shouldn’t believe everything in Sarah Palin’s book

By Kelsey

The Associated press and staff members of the McCain campaign have called into question facts and quotes in Sarah Palin’s “Going Rogue” even before the book has hit the shelves.

This doesn’t surprise me.   And it’s not because I think Sarah Palin is full of moose crap, it’s because no one fact-checked my book except me.  Mind you, I did it over and over again until I wanted to rip my eyeballs out.

When David Sedaris wrote about buying a box of condoms in the New Yorker a fact-checker called Cost Co and asked if he had the quantity in the box right.  Isn’t that ridiculous? It had zero to do with his story.  But, you know, you have to respect every word written in the New Yorker that much more.

Magazines and newspapers are less permanent.  They line birdcages. They’re used as stuffing when we mail breakables.

Carry out a box full of magazines and newspapers and burn them in your drive and the neighbors won’t care.  Burn a box of books and you’ll be on the local news, you radical, you.

Books are far more permanent, yet they can be filled with a lot of trash facts and fabricated quotes that are validated only by the four-point font label on the inside of their jacket – “nonfiction.”

I recently saw Ishmael Beah, author of “A Long Way Gone,” speak at Ball State.  His talk was full of amazing stories about being a child soldier in Sierra Leon and how the human spirit is able to overcome the world’s worst evils.  His book became a bestseller and some of the facts in his book have been called into question.  During the Q&A one of the students asked him about some of the controversy dug up by an Australian reporter.

His answer was two-fold:

1)    While he was being chased and shot at and while death and violence were all around him, he didn’t stop to take notes: “How many soldiers are shooting at me?  Let me stop and count so, when I write about this in my future bestseller, I’ll know the exact number.”  He said that anything he didn’t remember well he left out.

2)    The publisher fact-checked his book.

He lost me at #2.  A copy-edit is not a fact check and I doubt that his publisher went to the great expense of fact-checking events that happened a decade before in Africa.  I have no reason to doubt Ishmael and his story, but this argument is weak.  Why not stop at #1 and be done with it.  If anything, point #2 didn’t smell right.

Even if some of Beah’s facts are a bit loose (I’m not saying they are), the greatest value in his story is how he felt when the events were happening and how he feels now that he reflects upon them.  But that’s the thing about the truth, messing with it can undercut a good story.  Ask James Frey author of “A Million Little Pieces.”

The truth might seem as insignificant as the number of condoms in a box, but nonfiction authors must be its slave.

In my office looking over my notes, I often wished I had asked a certain question during an interview while in Cambodia, remembered a certain quote from a worker in Bangladesh, or lived a set of things in a different order.  That was my challenge.

The truth is the truth and it filled my notebooks.  If it wasn’t in my notebooks, I didn’t have the luxury of calling up a worker in Cambodia to have them elaborate.

I did my darndest to crosscheck my facts in Where Am I Wearing?  I would’ve liked to support them with an appendix full of sources cited, but I would have had to pay for that.  That’s right.  My contract was setup so that I would have to pay for any additional back matter. In fact, four months before my book’s release I got an email from my publisher stating that I needed to have an index done at my cost (against my royalties).  The cost would be around $3 or $4 per page – approximately $1,000.

I talked them out of that.

So instead of a costly appendix, I have a Word file in which every fact and quote is followed by the source.  If my book became a bestseller like Beah’s or Sarah Palin’s and came under the accompanying scrutiny, my sources are at my fingertips.

Until then, I can only dream about the day the AP starts fact-checking my writing.

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Nov
4

Kelsey Timmerman “Tag Checker”

By Kelsey

JD Schuyler is a young (younger than me) videographer based in Indianapolis.  As a videographer and storyteller, I think he’s destined for big things.  Currently one of those big things is Stories From the Border:

…footage of undocumented migrants, healthcare providers, NGO workers, religious members and citizens of marginalized communities…an effort to present the depth and breadth of issues that surround the U.S./Mexico border… documenting the issues that seem almost omnipresent along the border…highlighting the efforts of those working to respond to these issues.

JD and I have been in touch since he contacted me after reading WAIW.  He accompanied me on a visit to the Zionsville Library and made this video (now go subscribe to his YouTube Channel or face the wrath of the Tag Checker!):
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©2009–2010 Kelsey Timmerman
All Rights Reserved.
Contact Kelsey hi@kelseytimmerman.com

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