There is no “next project”

I’ll spend an hour on stage sharing the stories of the factory workers and farmers I’ve met on my travels. Then the question always comes:

“What’s your next project?”

It’s a legitimate question. It’s one that I might ask an author after hearing them speak. But here’s the thing: for me, there is no next project. I feel that having a “next project” implies that I write a book, dust off my hands, and turn my back on that book to focus on the next shiny thing.

I can’t do that. I write about real people with real lives and real families. People who’ve shared their stories with me so I could share them with others.

Some of these stories I’ve told hundreds of times over the last seven years. I honestly can’t believe I’m not sick of telling some of them. But I’m not.

This past fall I was telling Arifa’s story at a library. Arifa, a single mother in Bangladesh who supports her three kids as a garment worker, is the first person I met on the adventure that became WEARING. I’ve probably shared her story more than any other. As I talked, I felt her story inside of me. Like I could point to where it existed in my gut and trace its path from my gut, to my heart, and out of my mouth. I could feel every word.

Some stories I feel more than others, and sometimes one story will hit me harder one day than the next. That night at the library I was surprised at how hard Arifa’s hit me after all that time.

I feel every story.

Currently the story that is most likely to get stuck in my throat is Solo’s. Solo is the slave I met on a cocoa farm in Ivory Coast.

These stories live inside of me, and the responsibility to share them in a truthful and impactful way weighs on me. They have changed the way I see the world, the way I shop, the way I live my life, the way we are raising our kids. They’ve changed everything.

I will NEVER turn my back on the stories of the people I write about. I will never stop sharing them. As long as folks keep asking me to share them, I will.

I hear other authors talk about being sick of a project and wanting to move on to the next one before the first even comes out. I just can’t do that. I’m not saying that I’m better than these authors or that they are right and I am wrong. I’m not even saying that my work has a higher calling than a work of fiction.

But I do wonder: Do fiction writers feel as much responsibility to their characters as I do to the people I write about? How about a memoirist, or a cookbook author feels? Maybe a biographer feels more. Maybe a self-help author feels more to their readers than I do.

It’s the nature of the publishing business to focus on what’s next. “Publishing Window” is a term that gets thrown around some, referring to the fact that most books sell 90% of the copies (I made that up) they are going to sell within three months of publication. After that, publishers and often authors move onto “next projects.” A book is either a success or failure.

In that sense WEARING was a failure. Forget the first three months, I think it sold 3,000 copies the first year. But every year after that it sold more copies than the previous year. Most books show a decrescendo of sales, but WEARING and now EATING have shown a crescendo of sales.

WEARING has sold more copies than some NY Times bestsellers. That’s because I play the long game. I blog about the stories. I Skype with students. I talk at high schools, libraries, conferences, and colleges. I look for ways to spread the stories. I work to spread them. I’m not sick of the stories or ready to move on from them; I carry them everywhere I go, and I can’t put them down. I’ve also been fortunate to have a publisher (Wiley) who has been willing to play the long game as well, and to work with Keppler Speakers, who has been a critical partner in helping me spread my stories. But more than a publisher and more than a speakers bureau, readers, students, professors, and common reading committees have helped make the stories spread.

Yes, there will be other projects, and more stories, but they will all be a continuation of my larger mission to connect people through stories to strengthen community (I stole that from the Facing Project) and to make people give a damn.

There is no next project. There is just more work to do.

PS- I just got an awesome email from a professor that has used both of my books and who invited me to speak at her school this past spring. It read:

Yours is very good work, and it matters.  A lot.  Keep it up.

That is awesome to hear. And I share it not to brag or to humble brag, but I 100% agree with her, and I hope that whatever your work is that you feel it is good work and that it matters a lot. Please feel free to share your important work in the comments.

Keep it up.

 
3 comments

just sent you a big email…since I wanted to assure myself that you would see it completely privately…in case my initial observations were invalid and my resulting opinion misled.

Becki says:

Big publishing focuses on the short term and keeps cranking out the titles. But many people and some companies are finally starting to realize just how much “longtail” sales matter, and you are Exhibit A in that. Kudos to your publisher for working with you on it! And yes, yours is very good work, and it does matter. Thank you for that!

As a side note, responding to your question about other writers, my husband writes fiction. I sometimes feel like some of his characters live in our house, maybe in the attic, and I know he has their lives mapped out in his head. One he has more or less promised, “I’m putting you through hell now, but I see a light at the end of the tunnel and I think you will eventually die of old age.” (He writes thrillers, so I won’t tell you which character!) But I know he does feel like he owes his characters something, if nothing else he tries to make their story make sense and not to put them through something without a really good reason.

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